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Fuchs is a representative of both Berlin's classical and its post-classical era.
Among British post-classical economists, the argument was often that the Irish over-breed, while Anglo-Saxons reproduce at relatively low rates.
Alberti mentions only one post-classical work of art - Giotto's Navicella mosaic - but he cites many classical literary sources describing vanished works.
A particularly common theme in post-classical art is ‘The Toilet of Venus’, showing her with Eros, her son by the war-god Ares, holding up a mirror in which she can admire her own beauty.
Under an Hour is a three-piece post-classical mirage of repetition and withdrawal.
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